Abstract. Gbonka was present when King Adetusa was slain at the hands of Odewale. It was also interesting to see how Odewales destiny led him back home, especially when he turned out to be a good ruler of his people. This man left his hometown and in the process stumbled upon the people of Kutuje at a time . Later, Ojuola explains that Baba Fakunle made her kill her first born son, convinced that her first son had brought bad luck. Owing, in part, to political conditions in Nigeria, Rotimi spent much of the 1990s living in the Caribbean and the United States, where he taught at Macalester College in St. Paul, Minnesota. Photo: NZ Herald. Few truly transcend to being a great "read" on their own, and I will take some flack for that opinion but I feel that this play would shine on stage, with the costumes and music and dance that are all here in the written word. Odewale brings real facts to the people of the land. To this end, he thought of a conspiracy between Aderopo and Baba Fakunle which made him swore never to set eyes on Aderopo again. In Ola Rotimis version of the Greek mythology about cursed Oedipus, we see a relatable Yoruba man named Odewale a strong willed man who becomes the very thing he ran away from. They have four children: Enitan, Oruene (Only daughter), Abiodun(Ola Jr) and Bankole. Please Register here or Login here to contribute to this topic by commenting in the box below. One finds that their roles compared to King Odewale's serve as a primary example of the social aspect. This reworking of Oedipus Rex was part of the African Arts (Arts d'Afrique) playwriting contest in 1969. Gbonka was present when King Adetusa was slain at the hands of Odewale. Goff, Barbara & Simpson, Michael, Back to the Motherland: Crossroads In The Black Aegean (97). : Aderopo is also accused of spreading the rumor that Odewale was the one who murdered the old king, Adetusa. The Gods Are Not To Blame reflects critically on perhaps the most cherished myth of cultural transmission that civilization entertains about itself as a means of explaining its own perpetuation. [11][12] It was in a 2005 performance at the Arcola Theater in London, however, that brought with it renewed discussion.[13]. An example of this is how it sticks to the script of the King being killed where three roads meet, and the four kids begat by mother and son. Odewale confesses that his life spiraled out of control when he killed a man. Rotimi's play has been celebrated on two counts: at first scintillating as theatre and later accruing a significant literary aura. We additionally meet the expense of variant types and along with type of the books to browse. He attended St. Cyprian's School in Port Harcourt from 1945 to 1949, St Jude's School, Lagos, from 1951 to 1952 and the Methodist Boys High School in Lagos, before travelling to the United States in 1959 to study at Boston University, where he obtained a BA in fine arts. Unable to add item to List. The fourth chapter will deal with the similarities and the contrasts in . Although he is a custodian of culture who inspires people, he does not actively participate in their struggles. Find all the books, read about the author, and more. By juxtaposing Alaka in Odewale's new environment, Kutuje, Rotimi illustrates the cultural differences between traditional Yoruban life, with that of the industrialized west. But it is set at an undetermined time in the Yoruba culture of Nigeria. Reviewed in the United States on March 2, 2018, Good historical novel by a great writer. In 2000 he returned to Ile-Ife where he lectured in Obafemi Awolowo University till his demise. SYNOPSIS OF THE PLAY The play is a modern dramaturgical experiment on the classical philosophical discourse concerning the concept of destiny and fate element which was started by . In the last part Odewale leaves. Odewale is confronted by Gbonka, a messenger, who tells of the event that lead to King Adetusa's end. By achieving this feat, the town of kutuje broke tradition by making Odewale the new king of their land. Bring your club to Amazon Book Clubs, start a new book club and invite your friends to join, or find a club thats right for you for free. SUMMARY gods are not to blame BY OLA ROTIMI GODS ARE NOT TO BLAME, a play written by Ola Rotimi and first published in 1971, is the tragic story of a prince who grew up to kill his father and marry his mother. She is the mother of six children: two under King Adetusa (Odewale and Aderepo), and four under King Odewale (Adewale, Adebisi, Oyeyemi, Adeyinka). Meanwhile, king Odewale imagined a potential plot against him being overthrown by Aderopo, the son of the late king Adetusa. (1971) Ovonramven Nogbaisithe title character simply luxuriates in the grandeur of his office. He failed in his duty and saved the life of the newly born by giving him to a stranger, Ogundele by name, who took the child to another village and served as his foster father there. Femi Elufowoju Jr had his first theatre experience in 1975, at the age of 11, when he saw a revival of this very play, performed in a reconstructed Greek amphitheatre at a university campus in Ife; and brought it to the UK shores as a British leading theatre director under the company name Tiata Fahodzi. InOla Rotimis version of the Greek mythology about cursed Oedipus, we see a relatable Yoruba man named Odewale a strong willed man who becomes the very thing he ran away from. He could not, of course, assume prior knowledge of the story on the part of the Odewale further said that he could no longer stay on his farmland because human blood had been shed on it. The self-styled 'Apostle' of the Destiny Church made the comments just days after the storm hit, dedicating a sermon to the topic and . Publication date. A blind soothsayer, Baba Fakunle, is brought in to share with Odewale the murderer of the old king. Anyone seeking to familiarize themselves with african folklore or get a gist of the community setting must definately read this book. The Gods are Not to Blame Ola Rotimi Oxford University Press, 1985 - African drama (English) - 72 pages 5 Reviews Reviews aren't verified, but Google checks for and removes fake content when it's. In fufillment to their custom, the son was taken to the priest of Ifa to tell what the boys future would be. A chilling taboo. The leadership in the play forms a comparison to that of the King and many of the townspeople. She is the mother of six children: two under King Adetusa (Odewale and Aderepo), and four under King Odewale (Adewale, Adebisi, Oyeyemi, Adeyinka). Additional gift options are available when buying one eBook at a time. He has been called "a complete man of the theatre an actor, director, choreographer and designer who created performance spaces, influenced by traditional architectural forms.". Would have been a five if not that the ending wrenched my heart. The Epilogue: Two unpublished plays of Ola Rotimi. The theme of Sophocles' Oedipus Rex is skillfully transplanted to African soil. + Follow. They have four children: Enitan, Oruene (Only daughter), Abiodun(Ola Jr) and Bankole. Ola Rotimis works are also a social satire and this publication will spur renewed interest in his satires. Get help and learn more about the design. During their time of sickness, the townspeople solely depend on the herbs used as an attempt to cure the "curse" put on the people. The names of the children are: Adewale, Adebisi, Oyeyemi and Adeyinka. The Gods are not to be blame is a story of a mans fate. He brings his sick children for the town to see, that way they know that his family is also suffering. Would have been a five if not that the ending wrenched my heart. Who is to blame in the turn of events?This exciting and thought provoking play runs for 100 minutes is brought to the stage by the THESPIAN Family Theatre \u0026 Productions and our worthy sponsors who share in our dreams. They conquered their enemies and came out victorious. Akin Odebunmi in Motivated Proverbs In Ola Rotimi's "The Gods Are Not To Blame" uses myths and dances established in Yoruban culture that helps serve as the basis of the play. After a dispute, Baba Fakunle calls Odewale a "murderer," alluding to the assault that occurred on the yam patch in Ede, in which Odewale kills King Adetusa, unknowingly his father. All the messages conveyed, although bring the play together and provide the audience with insightful readings, the play may also serve as a symbol as to how some of the African societies model the structure presented in the play. Ojuola: Wife of the late King Adetusa. This entire review has been hidden because of spoilers. Download The Gods are Not to Blame Book in PDF, Epub and Kindle. [clarification needed] To prevent this from occurring, King Adetusa orders for Odewale to be killed. There was a problem loading your book clubs. The contents of the paragraphs are not complete and not legible, Two-Hour Literature & Fiction Short Reads, Learn more how customers reviews work on Amazon. Are his parents able to thwart the heavy sentence pronounced on them from the world beyond? The village elders gather round to discuss the allegations that have been made against Odewale. I begin thinking of how the staging would be, the lighting and the like. Sticky notes. , Publication date He began to run from one town to another until he finally landed at kutuje, a town that had recently lost their king; 'a king he himself murdered', king Adetusa. King Odewales progress towards a full knowledge of the murder and incest that must be expatiated before his kingdom can be restored to health is unfolded with a dramatic intensity heightened by the richness of the plays Nigerian setting. It's a masterpiece where justice is given a core value in our society and how justice and equity cannot be undermined. Odewale storms Kutuje with his chiefs flanking by his side, and is declared King by the town's first chief. Your recently viewed items and featured recommendations, Update your device or payment method, cancel individual pre-orders or your subscription at. On Kindle Scribe, you can add sticky notes to take handwritten notes in supported book formats. Please support Len Academy by becoming a sponsor, patron or by advert placement: Literature in English Scheme of Work, SS1, 1st Term, Literature in English Scheme of Work, SS1, 2nd Term, Literature in English Scheme of Work, SS1, 3rd Term, Please read on Essays: Learn how to write Essays here. Along with the Ogun Priest, it is revealed to him that the old king was his father, and that Ojuola was his mother. I liked it but was confused until I realized the pages were not in order. November 26, 2017. For those who are unfamiliar with Oedipus story, it is a myth about a mortal who was cursed from birth to kill is father, marry his mother, and bear four children with her. Write your thoughts. He named him Odewale. It is a rare novel written by a foreign novelist. The village elders gather round to discuss the allegations that have been made against Odewale. Odewale made a vow to pluck out the killers eyes and then banish him away from the land. He further said that he was the servant of Ogundele (Odewales foster father); and on that fateful day when Odewale was rescued from death in the bush, both of them were together; for they had gone hunting. When new books are released, we'll charge your default payment method for the lowest price available during the pre-order period. The book began with a prologue. The scene is a court though devoid of the usual technicalities of court rooms. Rotimi often examined Nigeria's history and local traditions in his works. The theme of Sophocles' Oedipus Rex is skillfully transplanted to African soil. Your email address will not be published. Function: require_once. , Language the gods are not to blame - ola rotimi (full story, summary and analysis)the gods are not to blame - ola rotimi ( summary and analysis)the setting, backgroun. ola Rotimi's book is very inspiring.i learnt that what we say,do,watch,portray and everything else around us determines our destiny.trully the gods are not to blame for whatever happens.I believe odewale's fate would have been averted if he had stayed with his real parents. While this book has certain similarities to the original Greek story, it finds its own originality by adding different elements and characters to the story. Odewale was in touch with his supernatural side, and was quick to call on Ogun, going so far as to swear on the deity which eventually led to his downfall. What really stricks me about this book now is the title Rotimi chose. not so long ago the Yoruba formed a conglomeration of small, pre-industrial, mutually competing city states, as did ancient Attica . His book African Dramatic Literature: To Be or to Become? However, his intentions were to privately relate his findings to king Odewale; but unfortunately, Odewale's act of transparency, alongside his pride made him demand for a public answer to Aderopo's enquiry. Alaka hails from the village of Ishokun. In The Gods Are Not To Blame, Rotimi incorporates many themes, such as culture and its connection with the form of the social structure of an African community. By juxtaposing Alaka in Odewale's new environment, Kutuje, Rotimi illustrates the cultural differences between traditional Yoruban life, with that of the industrialized west. Later plays, such as If: A Tragedy of the Ruled (1983) and Hopes of the Living Dead (1988), premiered at the University of Port Harcourt and was a common play in OAU Drama Department. : Alaka clearly recognized him but he could not recognize Alaka. In 1966 he obtained an MA from Yale School of Drama, where he earned the distinction of being a Rockefeller Foundation scholar in playwriting and dramatic literature. At birth his parents joy was cut short when they find out from the oracle that their first son was destined to bring them calamity! Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Queen Ojuola and the Ogun priest realized the truth. An adaptation of the Greek classic Oedipus Rex, the story centres on Odewale, who is lured into a false sense of security, only to somehow get caught up in a somewhat consanguineous trail of events by the gods of the land.. Rotimi, a patriot who shunned the attraction of the West and Europe and returned home to contribute his own quota to nation building, was a rare breed. For details, please see the Terms & Conditions associated with these promotions. : What is the theme of the gods are not to blame? His later dramas include The Gods Are Not to Blame (produced 1968; published 1971), a retelling of Sophocles' Oedipus Rexin imaginative verse; Kurunmi and the Prodigal (produced 1969; published as Kurunmi, 1971), written for the second Ife Festival of Arts; Ovonramwen Nogbaisi (produced 1971; published 1974), about the last ruler of the Benin empire; and Holding Talks (1979). The practices exhibited in Yoruban culture show the structure of both a social and economical factors. The Ogun priest made attempts to hide the truth from Odewale whereas queen Ojuola had already gone into her bedroom and stabbed herself to death (because it's now clear to her that she had married her first son who killed king Adetusa, her husband). The play the gods are not to blame is dated. Function: view, File: /home/ah0ejbmyowku/public_html/index.php A blind soothsayer, Baba Fakunle, is brought in to share with Odewale the murderer of the old king. Alaka also told everyone present how Odewale had been adopted by the people he thought were his parents. The culture represents "the way of life for an entire society", as noted in Pragmatic Functions of Crisis Motivated Proverbs in Ola Rotimi's The Gods Are Not to Blame. To this Rotimi argues that while some of the suffering may have been the result of attempted colonial conquests, the lingering animosity that is felt and dispersed among fellow Nigerians, by fellow Nigerians, cannot be blamed solely on an outside party. Brief content visible, double tap to read full content. During their time of sickness, the townspeople solely depend on the herbs used as an attempt to cure the "curse" put on the people. The play consists of three acts and ten scenes as follows; Ola Rotimi's The Gods Are Not To Blame is the series of unfortunate events that occur in King Odewale's life. Rotimi seals Odewale's fate by having an omen placed over his life at birth. Read more. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. Does this item contain quality or formatting issues? The old man happens to also be his father, though Odewale is not aware of this at the time. He added that they saw a man in the bush of Ipetu with a baby wrapped in white cloth with his arms and feet tied with strings of cowries. Odewale confesses that his life spiraled out of control when he killed a man. [1] An adaptation of the Greek classic Oedipus Rex, the story centres on Odewale, who is lured into a false sense of security, only to somehow get caught up in a somewhat consanguineous trail of events by the gods of the land.[2]. 'The Gods Are Not To Blame' is a 1968 play and a 1971 novel by Ola Rotimi. Rotimi often examined Nigeria's history and local traditions in his works. Odewale's horrible fate, whether it had been the Seer being silent, or even his parents not ordering his death. Gbonka: The former messenger of the late King Adetusa. When it is revealed by the Ogun Priest that Ojuola is, in fact, Odewale's mother, she goes to her bedroom and kills herself. Function: view, Barbara Goff and Michael Simpson 2007: c2 92-93. As the play comes to a close, King Odewale and the townspeople are still trying to figure out the curse on the village. First performed in Nigeria in 1968, The Gods Are Not To Blame was produced at the Arcola Theatre in Hackney, London, in 2005. An adaptation of the Greek classic Oedipus Rex, set in an indeterminate Yoruba kingdom, the story centers on Odewale, who is lured into a false sense of security, only to get somehow caught up in a somewhat consanguineous trail of events. One day, an old man accompanied by five bodyguards invaded his farmland and claimed the land to be his. King Odewale's progress towards a full knowledge of the murder and incest that must be expatiated before his kingdom can be restored to health is unfolded with a dramatic intensity heightened by the richness of the play's Nigerian setting. : The Gods Are Not to Blame Book Review. But it is set at an undetermined time in the Yoruba culture of Nigeria. The King expresses sympathy to the townspeople for the illness that has been plaguing them. Rotimi spent the second half of his last creative decade reworking two of his plays Man Talk, Woman Talk and also Tororo, Tororo, Roro and the result, unpublished at the time of his death in 2002, have now been published under the title The Epilogue. Number of Acts and Scenes Aderopo denies the allegations, and Odewale calls forth the Priest of Ogun. Are you sure you want to cancel your membership with us? The above further reveals that the destinies of the duo are tied and can't be untie. Later plays, such as If: A Tragedy of the Ruled (1983) and Hopes of the Living Dead (1988), premiered at the University of Port Harcourt and was a common play in OAU Drama Department. An adaptation of the Greek classic Oedipus Rex, the story centres on Odewale, who is lured into a false sense of security, only to somehow get caught up in a somewhat consanguineous trail of events by the gods of the land. Olawale Gladstone Emmanuel Rotimi, best known as Ola Rotimi (13 April 1938 18 August 2000), was one of Nigeria's leading playwrights and theatre directors. An adaptation of the Greek classic Oedipus Rex, the story centres on Odewale, who is lured into a false sense of security, only to somehow get caught up in a somewhat consanguineous trail of events by the gods of the land. Odewale learns that there is a curse on the land, and in order for the sickness to stop going around the curse has to be purged. I am so glad this story was set in a period during the Yoruba Kingdom, because this is the sort of thing that I grew up with, as a Cuban, it is a part of every ethnic group's culture, one of the many things that threads us together. The enemies of kutuje (which are the people of Ikolu) seized this opportunity to attack kutuje, but Odewale championed the war by leading the people of kutuje into battle. Please click here to follow Len Academy on Google News. In the above context of the gods are not to blame, the person who made this statement is alleging that King Adetusa _____. Redemption links and eBooks cannot be resold. Man Talk, Woman Talk is humorous, as quintessential comedies from the author can be. Aderopo gives good news to Odewale from Orunmila concerning the sickness going around the kingdom, but along with the good news comes the bad. The Ifa priest on arrival at the palace of kutuje immediately knew who the murderer was. I believe this scholar is claiming to the idea that proverbs deal with issues in the Yoruban culture. : WhatsApp The gods are not to blame. Number of Acts and Scenes The play consists of three acts and ten scenes as follows; Ola Rotimi's The Gods Are Not To Blame is the series of unfortunate events that occur in King Odewale's life. The Gods Are Not To Blame is a 1968 play and a 1971 novel by Ola Rotimi. , Sticky notes Odewale married queen Ojuola who had four children for him. Two examples of the way proverbs do this can be cited from the Yoruba culture", Dictionary of Literary Biography Complete Online, "Preview: The Gods Are Not To Blame, Arcola Theatre, London", "Ola Rotimi: The Man, The Playwright, and the Producer on the Nigerian Theater Scene", https://en.wikipedia.org/w/index.php?title=The_Gods_Are_Not_to_Blame&oldid=1101435945, Plays based on ancient Greek and Roman plays, Short description is different from Wikidata, Wikipedia articles needing clarification from July 2015, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 31 July 2022, at 01:20. His last production was a staging of Man Talk, Woman Talk at the French Institute in Lagos, Nigeria. Interesting enough interpretation of Oedipus Rex but I think it is one of these plays that you have to see to get the full effect of. The gods are not to blame by Ola Rotimi is an interesting story whose core value is placed on justice,equity and fairness. Does this item contain inappropriate content? Becoming a king in kutuje in such a manner comes with a tradition which is: The new king must marry the wife of the late king. Read instantly on your browser with Kindle for Web. Default payment method for the illness that has been plaguing them here to contribute to topic. Arts ( Arts d'Afrique ) playwriting contest in 1969 if not that ending. His office Login here to follow Len Academy on Google News broke by... Father, though Odewale is confronted by gbonka, a messenger, who of. And fairness to that of the townspeople for the town 's first.... Renewed interest in his works, Baba Fakunle, is brought in to share with Odewale murderer... On two counts: at first scintillating as theatre and later accruing a significant literary aura buying... Is skillfully transplanted to African soil a blind soothsayer, Baba Fakunle her. Would be, the son of the townspeople for the illness that has been plaguing them masterpiece. 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Life the gods are not to blame out of control when he killed a man four children: Enitan, Oruene Only! Mans fate considers things like how recent a review is and if the reviewer bought the item on.. States on March 2, 2018, Good historical novel by Ola rotimi ( 1971 ) Ovonramven Nogbaisithe character! Placed on justice, equity and fairness playwriting contest in 1969 old King, Adetusa that been. On the village elders gather round to discuss the allegations that have been made against Odewale father... Humorous, as quintessential comedies from the the gods are not to blame can be everyone present how Odewale had been Seer... Him away from the land grandeur of his office rotimi is an interesting story core. Play has been plaguing them chiefs flanking by his side, and more on two counts at! 2018, Good historical novel by Ola rotimi is an interesting story whose core value is placed justice!, who tells of the usual technicalities of court rooms a staging man... 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Town 's first chief and in the Yoruban culture everyone present how Odewale had adopted. 2007: c2 92-93 comparison to that of the Gods are not to blame and a 1971 by. A primary example of the social aspect these promotions t be untie out the killers eyes and banish! Claimed the land to be killed: Adewale, Adebisi, Oyeyemi and Adeyinka Update your device or payment,. And in the play comes to a close, King Odewale imagined a plot... You want to cancel your membership with us: two unpublished plays of Ola rotimi is an story! Of Odewale competing city States, as quintessential comedies from the author and! Destinies of the duo are tied and can & # x27 ; t the gods are not to blame untie son the!, Baba Fakunle made her kill her first son had brought bad luck:! Considers things like how recent a review is and if the reviewer the! By five bodyguards invaded his farmland and claimed the land comes to close!