[2][3] The play centers on the events of a house in Andalusia during a period of mourning, in which Bernarda Alba (aged 60) wields total control over her five daughters Angustias (39 years old), Magdalena (30), Amelia (27), Martirio (24), and Adela (20). Bernardas right to this role is rooted in the fact that she is oldest member of the household, apart from her mother Maria Josef whom Bernarda considered too senile with age to run a household. According to this notion, the definition of feminism is gender loyalty: women supporting other women, no matter what. Poetic Innovations. Madrid. The Rich and Surprising Variety of Love Lyrics. Architecture as Cultural Signpost in Spain. Lorca: The House of Bernarda Alba. Second Spanish Republic. Many or all of these privileges are denied to women in some third world countries today. Nature in Andalusi Poetry. Commentators have often grouped it with Blood Wedding and Yerma as a "rural trilogy". However, Pepe also has a clandestine affair at the same time with Adela and this is a grave threat to the honour etc. History of the Jews and Conversos in Spain. Generation of 1898. The real antagonist to Adela is her mother, who represents the forces of repression that Lorca would have understood from living in a newly fascist Spain. Pepe pays proper court to Angustias, visiting her at her window. Cantigas Gallego-Portugesas. Write good terms of reference 5. This production is notable for both its boldness and restraint. For example, although Adela affirms her right to love whom she chooses and defy her mothers will in consorting with men that she would not want her with, everyone in the household including the other women who also want to be free and to love; do not approve of her relationship with Pepe who is engaged to Angustias. The Upstairs World of Calisto and Melibea. The Question and Answer section for The House of Bernarda Alba is a great The theme of rebellion is portrayed through the storm imagery around the house. General Miguel Primo de Rivera: The Rise of a Dictator. University of Melbourne provides funding as a founding partner of The Conversation AU. Marg Horwells witty set uses air conditioning units and mosquito zappers as bling the zappers become a kind of chandelier and it is sumptuously lit by Rachel Burke. From the beginning of the play, the theme of authority has been prevalent throughout the entire play. Lorca's tale depicts the repression of women within Catholic Spain in the years before the war. Irene Velas solemn, elegiac music and Jethro Woodwards sound design are deeply textured, summoning the world beyond the claustrophobic house. A Catalan Architect Par Excellence. This will be followed by a broad empirical description of the transformations of gender in America since the middle of the 20th century, and an The final two players are Bernadettes senile mother, Maria (Sue Jones), who is kept locked up in the back of the house, and the housekeeper, Penelope (Julie Forsyth). Conversos and Moriscos: Tyranny of Food. In a certain way, characters give extreme respect to religion. La Celestina. ', Bernarda declaring that her daughters do not have any choice but to listen to her orders (Repression), 'est vieja, enfermiza, y que siempre ha sido la que ha tenido menos mritos de todas nosotras', 'S que yo no me voy a casar. So it will likely be with Pepe. THE USES AND ABUSES OF POETRY AND MUSIC IN THE PLAY/FILM AY, CARMELA! Ultimately, Lorca does not want a complete dynamism between freedom and authority in which one triumphs over the complete destruction of another. After all, as Adele laments, Men get away with everything. Pepe el Romano. Burgo de O to Sos del Rey, Travel 2013. [12] Directed by Vinay Varma and scripted by Dr. Raghuvir Sahay, the play adapted Lorca's original to a more Indian matriarch family setup. Women are to be married with a dowry . Don Quixote. Yet the play is difficult to label completely realist for two reasons. Definition and Characteristics. This is precisely the starting point of Corneliuss evocative exploration of gender and power in the 21st century. 1897. Adela expresses her frustration clearly when she and her sisters and La Poncia hear the harvesters singing on their way back to work: , La Poncia does not elaborate but the implications are clear to the sexually repressed and housebound sisters. Characters: La Poncia. In 2016, 13.4 percent of women in this age group were living in poverty, compared to 9.7 percent of adult men. She insists that Adela has died a virgin and demands that this be made known to the whole town. Actively participate in the initiative 8. IN LA CASA DE BERNARDA ALBA Whether we choose to view theatre concretely as a dramatic performance "by human beings isolated in time and space," (Beckerman 9) or interpret the dramatic text as an elaborate symbolic construct in . Change), You are commenting using your Twitter account. The House of Bernarda Alba study guide contains a biography of Federico Garca Lorca, literature essays, quiz questions, major themes, characters, and a full summary and analysis. The Monarchy. There is an Open Access version for this licensed article that can be read free of charge and without license restrictions. When it comes to your children youre blind, forewarns Penelope. Thatchers victories were no wins for womankind: she had no interest at all, as she often declared, in fighting for her sex. Politics. One can argue that Bernarda is sympathetic because it is the forces of the world, not her, that are the villain, and in the rare moments when we see her pain (such as when she learns about Adela's death), we see how distraught she is about acting in the way she believes she must. Select a trainer Implementation phase 6. Catalonia in the 13th Century. Any woman who criticises the politics of Margaret Thatcher or Sarah Huckabee is, by this logic, somehow betraying feminism. He wants a docile, demure wife (according to Angustias, Act I, 150) while at the same time carrying on an affair. Mi vigilancia lo puede todo. What she represents is freedom, a freedom that finds its outlet in imagined sexuality. The closing lines of the play show Bernarda characteristically preoccupied with the family's reputation, not registering that Adela and Pepe had an affair due to her moral code. Second Spanish Republic. Simple Poetry and Complex Structure. . '' Her feelings are underscored by an air of romantic mystery and adventure added by La Poncia: the harvesters come from the mountains and are carefree (Alegres Act II, 159), and adding more spice some of them had paid an exotic young woman from afar to accompany them to an olive grove. His precise descriptions of the color of rooms, the use of strange devices (like Maria Josefa's song), and the heightened moments all create an atmosphere of claustrophobia and visceral unease. It represents the family as Bernarda believes she's the perfect representation of society but she has spots of imperfections that can't be cleaned or hidden. Life and Work. Alhambra: The Architecture of Palaces and Power. Maurer, Christopher. Encima del duro suelo. A Spanish Tragedy. How it all Began: July August 1936. For example, it is from the corral that Adela returns with her hair disheveled (Act II, 193) and her petticoat covered in straw (Act III, 197) after meeting Pepe. The performances are nuanced and complex, providing reasons to understand the characters even in their most questionable actions. Lorca. A Journey into the History of a Country. The treatment of Pepe el Romano in the play is in fact an example of all mens behaviour. The gender poverty gap actually widened between 1968 and 2016. In first world nations women have the most physical and psychological freedom regarding the rights of political participation filing petitions, voting and holding office to legal and social rights such as property rights, freedom of speech, the ability to pursue an education and the right to participate in the job market. Second Spanish Republic. In the play, The House of Bernarda Alba by Federico Garcia Lorca, oppression, death, depression, and desire are recurrent themes that relate to each other. Much of the play is built of symbols, and Pepe is no different. Women, on the other hand are trapped. ', Mara Josefa shouting out to Bernarda why she wants to be freed (Repression vs Liberty), Mara Josefa declaring that Pepe el Romano will consume all the women of the household (Gender inequality), Pepe el Romano telling Angustias what characteristics he wants in a wife (Gender inequality), Martirio describing Pepe el Romano's shamelessness, Spanish-La casa de Bernarda Alba essay titles, Year 10 PPE1 revision - School Vocabulary, Year 10 Spanish - School Speaking Questions (, Cole Conlin, Elizabeth Millan, Max Ehrsam, Parthena Draggett, Annette Grant Cash, Cristina de la Torre, M. Victoria Garcia Serrano, Kim Potowski, Laila M. Dawson, Silvia Sobral. Painting in Spains Golden Age. The main stage and the back hallway are separated by bars and sliding doors, contributing to this effect. Despite this, men are inevitably present inside Bernadettes house: in the sisters conversations, in Penelopes retelling of external gossip, in the urn with the ashes of their father, symbolically witnessing their actions. Why Santiago de Compostela? Tirso de Molina. Spanish Civil War. Location. Llama de amor viva. Al-Andalus. All of the daughters break Bernardas rules regarding mourning, Maria Josef breaks her imprisonment in her room to wander freely at night and Adela and Martirio have romantic relationships with Pepe. Youngest sister Adela, stricken with sudden spirit and jubilation after her father's funeral, defies her mother's orders and dons a green dress instead of remaining in mourning black. The original production went on to perform at The Courtyard in Covent Garden, with members of an ATA graduate company Shady Dolls. 08:00-22:00, Conti-Campus There are no men in Melbourne Theatre Companys production of The House of Bernarda Alba and in their absence, the wounds that men inflict play a key role. Summary Act I. Lorca: The House of Bernarda Alba. Despite Pepe's absence, he has the most . La Poncia, the trusted and long-time servant, is both separated from and totally immersed in the dark energies of the Alba household. La Poncia makes clear that the Alba family is only rich in the terms of a poor village, suggesting that they are not as wealthy as they believe. The Church June 1931-November 1933. Climate, Weather Patterns, Heatwaves and Solutions. June 1931-November 1933. From the beginning of the play, the theme of authority has been prevalent throughout the entire play. 2016. The tone of the characters and their emotional reactions and mannerisms also reflect the rising tensions. The other daughters enter, followed by Bernarda's elderly mother, Maria Josefa, who is usually locked away in her room. La casa de Bernarda Alba 1982 1 h 40 m IMDb RATING 5.9 /10 21 YOUR RATING Rate Drama Bernarda Alba, a domineering, reclusive, ostentatiously-pious widow in a small Spanish town, keeps such close watch on her daughters that they are unable to have normal social lives. Women Poets. Much of her anger comes from that resentment, and in that way she can never totally sympathize with the girls and their repression. .a{fill:#8499a3} Spanish Ballads. 159). Essentially, this is between men and women. History of Early Christian kingdoms. 5 minutes. Why St. James? History of the Rise and Fall of Islamic Spain. Its a very complicated picture. In 1968, 10.8 percent of adult women and 7.2 percent of adult men lived below the poverty line. Bernarda here is Bernadette, played with a steely focus by Melita Jurisic. Plateresque Style in Spains Golden Age Architecture. La Casa de Bernarda Alba - Free download as PDF File (.pdf), Text File (.txt) or view presentation slides online. The play concerns characters that one might find in the real world (in fact, Lorca based them on people he once knew). Velzquez. Highlights Bernarda's obsession with what her neighbours think about her family. Al-Andalus. La Poncia: "Este cristal tiene unas motas." The glass has spots on. (LogOut/ Spanish poet and playwright Federico Garca Lorca witnessed the rise of the fascists and the devastating civil war in his country. Why were they so popular in Spain? He wants a docile, demure wife (according to Angustias, Act I, 150) while at the same time carrying on an affair. "Voy a beber agua" - Adela Act 3. When Pepe el Romano rides off to escape being shot, it is not difficult to imagine that the cycle will start over. tions of chorus in La casa de Bernarda Alba, are more intimately linked with the action and circumstances of the play than were the decorative, half-fantastic woodsmen seen in Bodas de sangre or the picturesque washerwomen in Yerma. The House of Bernarda Alba is Lorca's last and possibly finest play, completed shortly before he was murdered by Nationalist sympathisers at . Gaud. Scenes 1 to 4. Therefore, themes of social/gender roles and authority become intertwined. The display of the Tables of Contents may therefore be incomplete. Spain. Nevertheless, there are three other men, mentioned briefly, whose behavior is hardly exemplary: Bernardas second husband Antonio Maria Benavides (Act I, 123, 127), who has pursued Criada, lifting her petticoat (Act I, 123), La Poncias husband Evaristo el Colins whose first words to her are bluntly sexual: , The point is that men are not punished for their transgressions, The freedom men enjoy without consequences is conveyed symbolically by their access to the outside world, especially the countryside. Spanish Ballad. Possible answers: The fact that male characters never appear on stage is perhaps reflective of the social context whereby despite their absence, they maintain a certain superiority and power over the female characters. In her second scene, when she sings, Lorca indicates a certain innocence in her character through her use of a lamb as a baby. Pepe "el Romano", the love interest of Bernarda's daughters and suitor of Angustias, never appears on stage. For a summary of Act I, click here; for Acts II and III, click here. [, Bernardas obsession with honour obeys a social attitude that stretches back centuries and finds fertile ground in Spains Golden Age (approx. Angustias accuses Adela of being the Deshonra de nuestra familia the dishonour/ shame of our family (Act III, 197), and Magdalena has no wish to see her any more (Act III, 198). In the simplest way, he is the catalyst for the play's main conflicts. Origins. The whole play works in symbols the green dress, the cane that Adela breaks, the stallion so that even though these symbols could exist in the real world, they are too strongly the work of a focused poet who wants to communicate something larger than just a 'realistic' story. The House of Bernarda Alba, three-act tragedy by Federico Garca Lorca, published in 1936 as La casa de Bernarda Alba: drama de mujeres en los pueblos de Espaa (subtitled "Drama of Women in the Villages of Spain"). Step-by-step guide to Gender Equality Training Preparation phase 1. Pepe el Romano es mo. The deliberate exclusion of any male character from the action helps build up the high level of sexual tension that is present throughout the play. On the flip side of repression is the idea of individual freedom. Spain. When the lights emulate sunset or sunrise, elongated bar shadows are projected onto the stage floor. Spain. LA CASA DE BERNARDA ALBA. Rewrite the sentence, changing the position of prepositional phrase so that the sentence is no Ionger confusing. Names are used to indicate the type of people the daughters are; Bernarda unflinchingly personifies repression while being unlike any other character in theater. Why were they there? 1599-1623. 'Afortunadamente mis hijas me respetan y jams torcieron mi voluntad! Lorca. Mientras por competir Analysis. They have freedom of movement and are free from punishment for their misbehavior. The Story of St. James and The Camino de Santiago. Prefiero llevar sacos al molino', Magdalena acknowledging that she is unlikely to marry, 'No os tengo ley a ninguna, pero quiero vivir en casa decente', La Poncia insisting that her only desire is to live in a respectable household (Reputation), La Poncia pointing out to Bernarda that Adela is a more suitable partner for Pepe el Romano than Angustias, Bernarda, yo quiero un varn para casarme y tener alegra! Determined, nevertheless, to defend her familys honour, Bernarda predictably prohibits men entering her house, even those who have attended her second husbands funeral: , In case we think that family honour is pass, its worth remembering that it is still very much alive nowadays, with honour killings frequently reported in some conservative societies. Local TIB services Check for campus license However, religion seems yet another repressive force overall. So Bernarda is not entirely incorrect in living by those values. Adela expresses her frustration clearly when she and her sisters and La Poncia hear the harvesters singing on their way back to work: Ay, I wish that I could also go out to the fields! (Act II, 159). The themes of what is and what is not appropriate conduct in regards to the daughters crosses the lines of freedom from Bernardas rules and submission to Bernardas authority. Bernarda expresses the belief that a woman should only look at a man in church, and Prudencia will soon quit going to church because she is being mocked. Visigoths and Unity: Monarchy. Day 2. A\`AA tour de ro\^oole, demandez si votre partenaire fait les choses suivantes pendants ses vacances a\`aa Paris. Adela shows the most horror when the family hears the latest gossip about how the townspeople recently tortured a young woman who had delivered and killed an illegitimate baby. Change). Charles Vs Palace in the Alhambra. Catalonia History: 11th and 12th Centuries. Background and Analysis. Lorca displays the increasing tensions between the authority of Bernarda and the rest of the household with the gathering of the ominous storm-clouds as imagery. Romances of Chivalry. The most egregious example can be seen in the brief family history of Adelaida, a neighbour. It will unconditionally squander the time. The House of Bernarda Alba (disambiguation), "The House of Bernarda Alba (TV Movie 1991) - IMDb", "Sex and a Monster Mother Seething in Sunny Spain", "Mother smothers, but daughters are lost in MTC House of Bernarda Alba", "The silence of atrocity: The House of Bernarda Alba", https://en.wikipedia.org/w/index.php?title=The_House_of_Bernarda_Alba&oldid=1133381588, English language British film of a Royal Court Theatre, London 1986 production, Since 2004, the Moroccan adaptation of La casa de Bernarda Alba has been played in theatres in Morocco and across the world. CERVANTES IN THE CAVE OF RODRIGUEZ MENDEZ: QUIXOTIC PARALLELS IN PUESTO YA EL PIE EN EL ESTRIBO^1, ANTONIO GUIRAU'S REFUNDICIONES OF LA DAMA DUENDE: GENRE AND MUSIC, FREEDOM AND RESISTANCE: RAFAEL ALBERTI'S TRANSFIGURATION OF CALDERON'S AUTO, Specialist literature for research and industry, Supplying literature to Leibniz Universitt, New in the Electronic Journals Library (EZB), Special collections and literary bequests - TIB Social Sciences, Workstation for the blind and visually impaired, TIB Conti-Campus: group study rooms with whiteboards, TIB Conti-Campus: group study rooms without whiteboard/without table sockets, TIB Science/Technology: group study desks, TIB Science/Technology: two-person workstations, Contact persons and addresses for service, Monographs, conference proceedings and publication series, Reports, posters and other textual materials, TIB Archives/Hannover University Archives, Entre actos - Dialogos sobre teatro espanol entre siglos, ESTRENO STUDIES IN CONTEMPORARY SPANISH THEATER, Conference paper The dark energies of the Alba household children youre blind, forewarns Penelope and III, here... 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